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Eksperimentell hyllest av Beckett
by Eline Bjerkan
Scenekunst
KUNSTEN, KJÆRLIGHETEN OG DØDEN
by Magne Fonn Hafskor
Bergensmagasinet
Alda Merini spærret inde i poesien
By Karin Grand
Italien Kunst & Kultur
Thoughts on Alwynne Pritchard as performer/composer
By Philip Tagney, 2016
Ein stor feit fiselyd
By Nicholas Møllerhaug, September 2015
Think Different?
for the Borealis 10th anniversary online publication
Music has always been instrumental, not only in defining who we are and how we interact with one another, but also in casting the spells, creating the illusions within which we live. Music channels the fantasies fed to us by the market, reinforcing the fiction of one brand of individuality or another, whilst at the same time affirming our membership of its various tribes of individuals, outcasts and mavericks. We conform though our non-conformity. And the more we aspire to use music as a way of extricating ourselves from the web of social constructs we inhabit, the more entangled we become. The more we speak in hallowed tones, elaborate myths, get hooked and fetishize, the more we fall pray to the gimmickry that has extended far beyond the music (or any other) industry to permeate all corners of our private and public lives. The marketplace is everywhere; its strategies delineate the shape of our existence. And of course, it delineates and confines the space within which music must exist.
Alwynne Pritchard: – Takk for meg
By Magne Fonn Hafskor, March 2014
Alwynne Pritchard
Try Angle Performing Arts Laboratory publication for Marseille-Provence City of Culture 2013
By Claudia Galhós
Alwynne Pritchard: Music to luxuriate in
By Magne Fonn Hafskor, March 2013
A Return Home to No Place
For Kunstmusik, Autumn 2006
A Question of Context
The London Sinfonietta and Warp Records for New Routes
Hear & Now
The Ultima Festival, Oslo and electronic music from Bergen, Norway, 22.05.04